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Where Does The Light Go?

by Ross Bellenoit

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1.
azure & ashes and darkening days where does the light go when love runs away? i thought i could see what you wanted to say where does the light go when love runs away? i can’t for the life of me summon the will to undo the damage that you have instilled cause part of me never knows when to give up where does the light go when love fucks you up? where does the light go when love wrings you dry? and darkness just pours in like rain from the sky? and all you can hope for is strength to just get through the day? where does the light go when love runs away? modesty fails when the going gets rough this heart on my sleeve is now calling your bluff i thought i could manage but i ain’t that tough where does the light go when love ain’t enough? so let me be left with your leaving me fast cause i cannot function until this has passed i hope you can answer me this when i ask: where does the light go when love doesn’t last?
2.
For Friends 02:53
we’ve laughed at the worst and cried at the best of us and every day we’re working hard at raising up the rest of us how could we have known with every seed that we’ve sown that every year our friendship just presents another test for us you are my brother/sister father, please forgive me for shielding both my eyes from the truth you are my lover/giver mother, please forgive me for blaming all my failures on my youth i’ve got a feeling that’s not worth concealing cause every day i’m keeping tabs on what i’ve been revealing a sense of wonder a sense of joyous joy at the notion that i love you and i’m someone worth believing if you find me falling i will hear you calling out to lend a helping hand right to the end and when we all awaken i hope that we are taken up and judged by what we all have done for friends
3.
this is just a test, this is just a test to see if what you really want is really gonna set you free now i’ve got lines to draw and you’ll never cross them all cause you don’t even know exactly what you want from me cause you don’t have it in you, no you don’t have it in you now you got stones to throw, but you need someone to show you how and everyday is just another warning shot across the bow no you don’t have it in you, yeah you don’t have it in you now you can paint me in the darkest corner of your mind and you can keep on telling stories ’til your friends are blind but none of that shit is true and i never should have trusted you cause in the light of day i never was cruel or unkind with all the wars we wage the ones of empty rage historically, will never be committed to the page so this just a test for both of us to find the way to cut the act and say the things we want to say and if you’ve had enough of calling every bluff tomorrow could be more than just a yesterday
4.
Blind 03:33
roses are red yet i’ve been so blue cause i’ve got this beautiful vision of you in my mind that makes me blind it colors each day in crimson and gold so much i forget that it’s taking control of my mind and makes me blind blind to the consequences blind to my worst defenses blind to the reality that i no longer see cause you’re all that i hope to find in the coliseum the matador cries cause all that he sees he can not recognize that’s he’s blind yeah he’s blind so don’t give me drugs no don’t give me sleep i need to hang on to this memory i keep in my mind that makes me blind
5.
Seventy Two 03:54
72 in a 65 got a vision of you that helps me feel alive gonna play it safe at the start of this drive doing 72 in a 65 35 years in 49 days one is just a number and one is just your age but one will make you question all your foolish ways 35 years in 49 days and it's a thousand hours til i see your face each one clicking like a clock in a race but my heart keeps leaving my head in disgrace and it's a thousand hours til i see your face til then i know i’m gonna miss you til then i know i’m gonna cry cause every time that i leave you it’s the sweetest goodbye and yesterday i had kissed you under the deep blue sky cause i don’t want to deceive you with a worried man’s lie so i’m counting down everything it takes to survive it’s hard to love slow when you’re in overdrive so i'm waiting on the word til you finally arrive doing 72 in a 65 gonna play it safe at the start of this drive doing 72 in a 65
6.
breathe easy stop shaking the night is slowly giving way to dawn you eyes have forsaken your lips to sing the words inside your song all my life i've never wanted to more than to hear you call my name into the blue give me one more chance before you fall into the arms of someone new the way you are talking is gloriously causing me concern cause all i can hear is the sound of my desire left to burn when you're near i disappear into a dream so fine hold me in your precious arms and say you will be mine yet dreams are uncanny fooling you to think that it could be in time i will learn to forgive the world and let my love be free
7.
Credence 04:15
i have lived for long enough to know just when it all will go in the blink of an eye, catch a wish up in the sky oh my love, if wishing made it so i have loved for long enough to calculate a timetable of brokenness praise the moon, praise the tide, praise the influence of everything that offers me this second helping eucharist i have lived for long enough to the love the dark inside of me a currency of kisses flowing through our aging blisses let me hold the candle up so you can see so blessed be this world of hypocrites they try so hard to find their place in it with their hands stretched to the sky reaching for that holy pie unaware that all their angels took the last of it so, so long, farewell, auf wiedersehn all i know that isn't true keeps me grounded on a wire stretched upon the crooked spires of a temple made to doubt the faith in me and you yes, i know this to be true
8.
Secret 03:39
i can’t begin to whisper about the time i kissed her to do so would be tantamount to treason a secret recreation so careless in creation yet beautiful in all it’s twisted reason one day my love won’t be a secret it’s taking all my energy to fight the living memory and stick to some old storyline of fiction but i’ve used up all my wishes and flames to burn my bridges now i’m left to face the truth of my addiction the danger of dependencies and scores can keep you walking through an open door and i’ve fought for my opinions like kings for their dominions placing all their faith inside their wars now i can’t begin to wonder the source of all this thunder cause if i did the answer could be frightening so i’ll sing away this sorrow and hope for some tomorrow where we can watch our hearts get lit up by the lightning
9.
Marigold 04:49
ignorant blisses castaway kisses i could have sworn i heard you say “i love you” stolen discretions silver reflections rain down, around and float above you oh, marigold are your secrets still untold? or are they laid about for both of us to see? oh, marigold are your footsteps growing cold? or is the fire burning bold for you and me? sleepless and wistful flowers by the fistful i could have sworn i heard your heart beat faster nothing close to aplomb ticking like a time bomb i refuse to let this be disaster oh, marigold my desires have been told now i’m waiting for the future to be seen oh, marigold could you help me be so bold? or is the fire burning low for you and me?
10.
Forgiveness 02:58
forgive me as a wayward son i’ve learned to steal, i’ve learned to run from arrows fired from cupid’s gun forgive me as a wayward son forgive me as a faulted frame that holds a landscape of foolish blame that hold me two steps short of sane forgive me as this faulted frame forgive me as i come to you i never know just what i do i never know just what to say when everything just slips away forgive me as a reckless thief who spins a web of twisted grief who’s shaking violently underneath forgive me as a reckless thief forgive me as this tortured friend i’ve seen the film, i know the end where truth and kindness show me how to love you always, here and now forgive me as i sink my hand into the ground where we could stand cause all forgiveness will demand for time to cease it’s shifting sands
11.
the perfect parade unkempt and unmade our current of history runs shallow in shade the perfect parade a vision of trees of hands being held of hearts being seized the perfect parade is languid and strong it carries it’s memories in cases of song the perfect parade is yet to be seen it’s waiting for providence to wash our hands clean the perfect parade so long overdue a glimpse of the promises to heed what is true the perfect parade we’ll know when we see the path being followed to somewhere that’s free (July 4th, 2016)

about

The eleven Americana tinged songs on Where Does The Light Go? were written and produced by Bellenoit and the album is a meditation on love, loss, secrets and the ways our interpersonal relationships affect our understanding of the world around us. It poses the question, what happens when you stay on a path when you feel that the odds are against you?
 


The LP begins with the title track, “Where Does The Light Go” and it serves as the thesis statement for the album. Bellenoit asks, “where does the light go when love runs away?” and begins his album-long exploration of attempting to reconcile relationships – both romantic and platonic – that end abruptly and painfully.  Though dark in subject matter, the song itself is uplifting and driven by a melody that beckons the listener to sing along and nod their head in time and agreement.
 


“For Friends,” the second song on the LP, is a celebratory ode to the community of Bellenoit’s friends. It features deft guitar work and a lead vocal that is lifted up by Sonja Sofya’s harmonies – “we’ve laughed at the worst and cried at the best of us and every day we’re working hard at raising up the rest of us.”  “You Don’t Have It In You” leans into its Americana-style slide guitar riffs and lyrically calls out the subject, “you can paint me in the darkest corner of your mind and you can keep telling stories ‘til you friends are blind, but none of that shit is true and I never should have trusted you…”
 


“Seventy two” is a soft lament on long distance love, while “Let Me Love Be Free” features Bellenoit’s falsetto and admittance of “all my life I never wanted more than to hear you call my name…” “Secret” has a swelling string section and the promise that, “one day my love won’t be a secret.” “Credence,” “Marigold” and “Forgiveness” all showcase Bellenoit’s distinctive arrangements, memorable melodies, and signature guitar work.
 


The album wraps up with “The Perfect Parade,” written on July 4, 2016 in the wake of the numerous shootings of young, black men happening that year.  Bellenoit reflects on the two hundred year old American Independence Day and what it means in contemporary times.

Where Does The Light Go? was recorded at Bellenoit’s collective, Turtle Studios where the artist has established himself as a vital component to the vibrant music community in Philadelphia. In addition to singing, playing guitar and producing, Bellenoit enlisted keyboardist Jaron Olevsky (Amos Lee), drummer Chuck Staab (Melody Gardot’s musical director), Upright bassist Charlie Muench (The Stray Birds), Jonathan Colman on electric bass and the aforementioned Sonja Sofya on backing vocals.


“Ross Bellenoit's solo songs are full of tasteful pop melodies and solid guitar playing,” cheers KRCB’s Bill Frater and Songwriter’s Monthly raves, “the softer, laid-back nature of his vocals creates a warm juxtaposition to his crisp string work.


credits

released May 1, 2020

Produced by Ross Bellenoit

Ross Bellenoit - Vocals, Acoustic & Electric Guitars, Percussion
Jaron Olevsky - Keyboards
Andrew Keenan - Pedal Steel Guitar (5,7,10,11)
Jonathan Colman - Bass Guitar (1-4,7,10,11)
Charlie Muench - Upright Bass (5,6,8,9)
Chuck Staab - Drums
Sonja Sofya - Vocals (1-4,7,11,12)
Amber Rae - Vocals (5)
Alison Wadsworth - Vocals (6)
Steve Tirpak - Trombone (6)
Mark Allen - Clarinet (6)

“Secret” orchestration by Ross Bellenoit

The Elysium String Quartet on “Secret”
James Finegan - violin
Julie Bougher - violin
Steven Heitlinger - viola
Andrea Weber - cello

Recorded and mixed by Doug Raus
Additional engineering by Mariah Reilly
Mastered by Sean Svadlenak
Executive producer - Jay Levin
Recorded, mixed and mastered at Turtle Studios, Philadelphia, PA

Artwork by Caitlyn Grabenstein of CLG Design Co.
Album design by Alec Meltzer

All songs by Ross Bellenoit, © Little Rolling Thunder, ASCAP

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